Originally mounted in 1907, the Carnegie specimen is the best example of the sauropod dinosaur Diplodocus, and perhaps the most famous dinosaur skeleton in the world. Casts of the specimen, including the London example known as “Dippy”, were distributed around the world during the early 1900s, and a final concrete cast was even created in 1957 for the Utah Field House at Vernal.

Although the moulds used to create these casts were lost sometime during the 1960’s, new ones created from the concrete skeleton have allowed second generation casts to be made, with some elements being incorporated into other iconic mounts.

LOOP 8.4: LOOP Showrunner Dan Tapster returns to give a retrospective on the series and its production. We look at went well and address criticisms; is it possible to keep everyone happy? We finish this series by discussing the show’s take-home messages and Dan’s hopes for Life On Our Planet’s legacy.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 8.3: Episode 8’s producer, Sophie Lanfear, joins us again to describe how difficult it was to wrap the series up, having to balance telling the story of the last ice age with conveying the message of the series. We speak about climate change and the 6^th mass extinction and try to find any positives. Ultimately, if documentaries keep having to make this point, is the message really getting through?

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 8.2: Prof. Danielle Schreve, Royal Holloway University of London, joins us to cover the last 2 million years of Earth’s history. We explore the periodicity of glacials and interglacials and the control Earth’s orbit around the sun has on climate. She then places the Holocene’s megafaunal extinctions and major palaeobiogeograpical events within this climatic context. We finally look at the impact of human radiation on the world and the lessons we can learn from this time.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 8.1: Dave and Tom introduce episode 8 and round of this special series on Life On Our Planet. We talk about our favourite scenes and reflect on our time working on the documentary and how our perspectives of documentary making has changed. We’d love your feedback on this podcast series.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 7.3: We’re taken into the field to film snow leopards by episode 7’s Assistant Producer, Darren Williams. He reveals how difficult it is to get just a few minutes of video, both logistically and practically. We get to know the ‘old male’ snow leopard, trace his movements, and learn of his importance to the community. Darren then speaks about the emotional conflict of capturing his final moments on film.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 7.2: Prof. Christine Janis, University of Bristol, outlines mammalian evolution and focusses on the global events that governs their radiation. We look at why mammals survived the K-Pg mass extinction and how the archaic mammals radiated immediately after. We end by looking at how mammals, similar to what we learned about birds, are relatively insignificant to today’s ecosystems.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 7.1: In the introduction to episode 7, Dave and Tom just about keep it together whilst reflecting on the most emotional scene of the show. We also celebrate the inclusion of the Antarctic Circumpolar Current in the series, before giving it a little rebranding to make the science even more approachable.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 6.4: Prof. Anjan Bhullar continues his overview of avian evolution with a look at how the birds fared after the K-Pg mass extinction. What was it that allowed birds to survive when the non-avian dinosaurs died out? Why didn’t they just become dinosaurs again? What have birds been able to achieve in the time since and how important are they to modern ecosystems. Not an episode to be missed (unless you’re Prof. Dan Field).

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 6.3: Documentary research takes you down a lot of unexpected avenues. If you’re recreating something like the Chicxulub impact and the K-Pg mass extinction, then you need to be able to provide answers for things you didn’t even know were questions. What colour was the asteroid? How bright was the flash? How long does it take to cook a Triceratops to death? Silverback Films researcher Edd Dyer returns to discuss the difficulties of finding such information.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 6.2: Dr Anjan Bhullar, Yale University, returns to speak further about dinosaurs. He’s pressed on where he’d draw the line between dinosaur and bird, or whether there should even be a distinction between them at all. At what point does flight evolve and was it ‘ground up’ or ‘tree down’? We find out that none of these questions are simple.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 6.1: Dave and Tom introduce us to episode 6 of Life On Our Planet and the pair touch upon the Chicxulub impact and the radiation of birds into the Cenozoic. Dave curtails the introduction with one of his worst puns yet.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 5.3: We’re exploring feather evolution with Dr Anjan Bhullar, University of Yale. We trace feathers up the theropod family tree and question whether or not they would be present in ALL dinosaurs. Anjan does NOT sit on the fence with this question or any other. Were dinosaurs brightly coloured? How intelligent were they? Do not miss some of these mind-blowing insights!

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 5.2: Producer Barny Revill returns to talk about his second episode. With the public spotlight firmly fixated on the dinosaurs, how much effort had to go into their GCI models and does the reputation of the series depend on getting them right? In light of this, how much room is there for telling the stories of other groups of organisms?

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 5.1: It’s episode 5 and Dave and Tom are pronouncing dinosaur names all wrong. Does any actually pronounce it “Deinonychus”? Dave reveals why Netflix chose Morgan Freeman as narrator over himself, Tom talks about the complexity of producing CGI feathers and we address T. rex controversies. Finally, we’re served up a confusing ‘dinosaur sandwich’ metaphor.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 4.3: Prof. Peter Falkingham, Liverpool John Moores University, was the consultant biomechanist for the series. He introduces us to the importance of biomechanics in CGI, but more widely in determining the physical capabilities of different animals. You need to have a full understanding of the anatomy of the animal, yes, but also the context on the media through which it is moving.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 4.2: We get down to details with Producer Barny Revill and analyse some of the different elements of episode 4: What were the challenges of working in such inhospitable environments? How do you recreate a flood of biblical proportions? How did you guide Industrial Light and Magic in the creation of their CGI models?

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 4.1: Against the odds, we’ve all made it through the PTME. It’s now time to focus on episode 4, with the reptiles and their adaptation to different environments. We touch upon biomechanics and crank up the VFX dial to 11.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 3.4: With researcher Ida-May Jones, we explore the Venn diagram of academic and documentary research. She introduces us to the strawberry dart frogs and the extraordinary lengths that mothers will go to to care for their young. With such high-tech equipment to record behaviours, it’s unsurprising that something new might be encountered!

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 3.3: Prof. Mike Benton, University of Bristol, gives us an overview of the major events in tetrapod evolution. He reveals some of the surprising traits that lobe-finned fishes ‘pre-possessed’ that were re-purposed for use on land. But were the biggest hurdles to terrestrialisation oxygen, moisture or gravity? We follow through the evolution of tetrapods into their many groups before the ‘Great Dying’ almost ends it for all of them.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 3.2: Producer Sophie Lanfear gives us our first insights into how documentaries are shaped. She tells us about the enormous scope of episode three and the difficulty of trying to fit in so many significant events. We analyse her use of emotion throughout the episode and she explains why she opted to use comedy. Finally, we look at the problem of anthropomorphism in documentaries.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 3.1: We introduce episode three of Life On Our Planet and discuss one of the most significant stories in the series. We’re in agreement that lichens are the unsung heroes of the whole series and that Arthropleura is the crunchiest animal to ever exist. We talk about the ‘fishapod’ Strepsodus and its locomotion.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 2.4: Silverback researcher Edd Dyer joins us to introduce us to his part in the creation of the series. The title ‘researcher’ really doesn’t do justice to the incredible scope of his role which includes far more than just looking up facts. We talk about his route into the industry and the necessary skills for the job.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 2.3: Hydrodynamicist Dr Tom Fletcher, Silverback Films, returns to explore the science behind Dunkleosteus. How much of the fossil is known? How does the model compare to the latest reconstruction of the animal? How much of the design is dictated by hydrodynamics? and is Dave ironically cool?

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 2.2: Prof. Christian Klug, University of Zurich, is our first academic guest. He introduces us to the Cambrian explosion, the Great Ordovician Biodiversification Event and the Late Ordovician Mass Extinction. Christian is an expert on cephalopods and he tells us more about their biology and his thoughts on the vertical orientation of Cameroceras in this series.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 2.1: We introduce episode two of Life On Our Planet and discuss our roles in its creation. We’re down deep in the geological time with all the “crunchy and squishy” organisms. We talk about our favourite scenes, jellyfish reproduction and the proper pronunciation of cephalopod.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

In LOOP 1.2 we are joined by showrunner Dan Tapster. He’s the one responsible for pulling everything together, designing the story and creating the best production team. We learn about how LOOP first got started, why both CGI and modern footage was used, and how to cram billions of years of evolution into just 8 episodes.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. We will be releasing batches of interviews, each relating to an episode of LOOP.

Images courtesy of Netflix.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. We will be releasing batches of interviews, each relating to an episode of LOOP.

In episode 1.1, we introduce ourselves and explain our roles in the documentary. We look forward to the release of the series and discuss the scope of episode 1 and some of the 'rules of life'.

Images courtesy of Netflix.

Following up on an initial discovery of ice-age remains in Byron, New York, in the 1950's, Dr Richard Laub took on the task of systematically excavating the 'Hiscock Site' for the Buffalo Museum of Science. Fieldwork commenced in 1983, but as more and more fossils were discovered at the site, the 'Byron Dig', as it became known, would continue for almost three decades. In that time, countless numbers of significant Late Pleistocene and Holocene discoveries were made, including those of mastodon, caribou and bird remains, as well as a rich record of Paleoindian tools.

The Hiscock site proved to be incredibly challenging, not just in terms of physical excavation in its water-logged sediments, but also in developing an understanding of how this complex deposit had formed and evolved over the last ≈13,000 years. In many cases, it took years to figure out some of the details and whilst we have a good understanding of the site 40 years on, several questions still remain unanswered.

In the second part of this interview, Dick continues to look back at his time leading the Byron Dig. As we work our way through each distinct layer of the deposit, he reconstructs the local environment for us and paints a picture of the flora and fauna of the relatively recent past.

Further details about the Hiscock Site, the Byron Dig and the history of its study can be found in Dick's recent book: Two Acres of Time.

Following up on an initial discovery of ice-age remains in Byron, New York, in the 1950's, Dr Richard Laub took on the task of systematically excavating the 'Hiscock Site' for the Buffalo Museum of Science. Fieldwork commenced in 1983, but as more and more fossils were discovered at the site, the 'Byron Dig', as it became known, would continue for almost three decades. In that time, countless numbers of significant Late Pleistocene and Holocene discoveries were made, including those of mastodon, caribou and bird remains, as well as a rich record of Paleoindian tools.

The Hiscock site proved to be incredibly challenging, not just in terms of physical excavation in its water-logged sediments, but also in developing an understanding of how this complex deposit had formed and evolved over the last ≈13,000 years. In many cases, it took years to figure out some of the details and whilst we have a good understanding of the site 40 years on, several questions still remain unanswered.

In this interview, Dick joins us to look back at his time leading the Byron Dig. As we work our way through each distinct layer of the deposit, he reconstructs the local environment for us and paints a picture of the flora and fauna of the relatively recent past.

Further details about the Hiscock Site, the Byron Dig and the history of its study can be found in Dick's recent book: Two Acres of Time.

A new Ordovician lagerstätte (site of special fossil preservation) has just been described from Llandrindod Wells, Wales. The site contains the remains of well over 150 different species, most of which are entirely new to science. It is dated to around 461 million years old, placing it at a critical point in life's evolution: the Great Ordovician Biodiversification Event. This is even more significant, considering the relative sparsity of lagerstätten of this time.

We are joined in this interview by Drs Joe Botting and Lucy Muir, who discovered the Castle Bank site a short walk from their house whilst fossil collecting during covid lockdown in 2020. From them, we're able to learn what it's like to discover a new site of international significance and we question why the fossil from this site are so small.

Part 2.

Caecilians, sometimes known as ‘blind worms’, are a lesser-known group of lissamphibians (all living amphibians). Most modern caecilians are all fossorial (burrowing) and are restricted to the moist soils and leaf litter of tropical forests. Adaptation to this specific ecology has led to radical modification of their bodies, from fusion of the bones in the head and the function of the jaw, to the loss of limbs and development of unique sensory organs.

The fossil record of caecilians is incredibly poor, with only 10 specimens available for researchers to piece together their evolutionary history with. This is further problematic because without a firm understanding of caecilian evolution, we can’t understand the origins of lissamphibians, which includes the ecologically significant groups of frogs and salamanders.

Published in Nature today, a new study led by Ben Kligman, Petrified Forest National Park and Virginia Tech, details numerous specimens of a new fossil caecilian. Discovered within a Triassic deposit, Funcusvermis gilmorei is not only the oldest known caecilian, but it also displays a unique combination of anatomical characteristics that helps illuminate the evolutionary origins of caecilians and all lissamphibians.

Whilst this discovery goes some way to answer some of the bigger questions, other problems that are raised, most notably why there is such an over-representation of Funcusvermis‘s lower right jaw.

Caecilians, sometimes known as ‘blind worms’, are a lesser-known group of lissamphibians (all living amphibians). Most modern caecilians are all fossorial (burrowing) and are restricted to the moist soils and leaf litter of tropical forests. Adaptation to this specific ecology has led to radical modification of their bodies, from fusion of the bones in the head and the function of the jaw, to the loss of limbs and development of unique sensory organs.

The fossil record of caecilians is incredibly poor, with only 10 specimens available for researchers to piece together their evolutionary history with. This is further problematic because without a firm understanding of caecilian evolution, we can’t understand the origins of lissamphibians, which includes the ecologically significant groups of frogs and salamanders.

Published in Nature today, a new study led by Ben Kligman, Petrified Forest National Park and Virginia Tech, details numerous specimens of a new fossil caecilian. Discovered within a Triassic deposit, Funcusvermis gilmorei is not only the oldest known caecilian, but it also displays a unique combination of anatomical characteristics that helps illuminate the evolutionary origins of caecilians and all lissamphibians.

Whilst this discovery goes some way to answer some of the bigger questions, other problems that are raised, most notably why there is such an over-representation of Funcusvermis‘s lower right jaw.

Palaeontology (dinosaurs in particular) are incredibly well represented in nearly all forms of popular media today. From documentaries and films to computer games and even specialist podcasts. But where did the public fascination in dinosaurs come from? Has it always been there, ever since the existence of dinosaurs was first revealed, or has interest grown cumulatively with every public engagement milestone.

This third and final part examines the need for modern films and documentaries to be able to substantiate their claims. How do we know whether or not the scenes they depict are based on palaeontological facts? The series then ends by stepping back and considering what the point of this kind of science communication is anyway.

Palaeontology (dinosaurs in particular) are incredibly well represented in nearly all forms of popular media today. From documentaries and films to computer games and even specialist podcasts. But where did the public fascination in dinosaurs come from? Has it always been there, ever since the existence of dinosaurs was first revealed, or has interest grown cumulatively with every public engagement milestone.

In this second part of a special three-part episode, Vicky Coules talks all about dinosaurs in films and animation, but examining titles from within their original historical scientific and social contexts. How have such titles been influenced by the world around them? But equally, how were these titles able to influence science?